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With strong buzz coming out of Sundance and SXSW, the film follows a trio of POC college seniors whose typical "get to the party" comedy shenanigans are cut short when they find a white girl passed out in their living room. That sounds awful." And yet that is exactly how I'd pitch Emergency, which is shaping up to be one of the best films of the year.
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If someone pitched me a movie by saying "It's like Booksmart meets The Hate U Give", I would immediately say, "No thanks. Everybody has one" even though that sounds like a line Deadpool would also say. It should also be noted (as it is on Wikipedia) that this is not The Dead Pool, the Dirty Harry action film in which Clint Eastwood says, "Opinions are like assholes. Foremost a comedy, this film will appeal to viewers who are less into Captain America and more into Seth Rogen. (If we want to get into the weeds, this film and its sequel were made by 20th Century Fox prior to the Disney/Fox merger, so while these were outside of the Marvel Cinematic Universe umbrella, Deadpool now falls under their jurisdiction and will be introduced into the MCU with a third film that's in the works and will cross over with the X-Men who are also now MCU material, but I digress.) Deadpool breaks the fourth wall, swears, and is out to get the man who scarred his body and gave him superpowers. Ryan Reynolds brings his irreverent wit and crass charm to the Marvel antihero who is technically a part of the X-Men franchise. In a market flooded with superheroes, supervillains, and superpowers, there is only one Deadpool. BUT you know what? Nostalgia is a powerful drug, and also Rotten Tomatoes says it's "a pleasant diversion for the young adults, but a waste of time for anyone older," which I'm taking to mean "great tween movie." So why not give it a try? In my mind, it is a stone-cold classic! It has a 29% on Rotten Tomatoes, doesn't star a single person I've ever heard of, and was produced by Nickelodeon.
The movie itself, however, would I'm sure buckle under scrutiny. The whole concept was just so remarkable for my brain, and is one I think about regularly. I wanted to be able to steal food off someone's plate without them noticing. I wanted to be able to put a peeing dog on the hood of a nemesis's car. I wanted one of those watches so bad! I wanted to be able to move water droplets coming out of sprinklers. As a tween, I remember Clockstoppers, a film about a bunch of high schoolers who get magic watches that allow them to pause time, being THE SHIT. Have I watched it in the last 15 years? No.
Have I watched it many times? Yes, I have. Is this movie straight-up awful? I am almost certain of it. Chris's best work since he fell in that fountain in Princess Diaries 2.
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The film looks expensive, the mystery is compelling, and a series of twists will keep you on the edge of your seat.
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After their CIA team botched a hostage situation that resulted in the deaths of an entire plane full of civilians, the pair moved on only to reconnect and attempt to unravel what exactly happened all those years ago. Set over a sumptuous food-porn dinner (think Pig without the Nic Cage grunting), Pine and Newton discuss their days working in Vienna years earlier, where their relationship, as coworkers and lovers, disintegrated. What could have easily been a run-of-the-mill spy thriller based on a novel (think Jack Reacher or Jack Ryan) is elevated by a creative storyline and unsurprisingly good performances by the all-star cast consisting of Pine, Thandiwe Newton, Laurence Fishburne, and Jonathan Pryce. In the ongoing debate over which of the four Chrises is the best, this is certainly a strike in the favor of Mr. While this is certainly a war film, the deeply human, emotional elements at play are what elevate this above the genre, and if you aren't sobbing in at least three scenes, then you are heartless. Nabbing ten Oscar nominations and three wins (including a long overdue Best Cinematography win for Roger Deakins, whose burning church lighting design is chef's kiss), 1917 is one of the best films of the decade.
The Sam Mendes film uses a shot-in-one-take illusion to stay with the duo in real-time, and the artistry, tight plotting, and intricate camerawork utilized are unmatched. The World War I epic follows two soldiers, played by George MacKay (who is also incredible in Captain Fantastic) and ( window-jumping Tommen himself) Dean-Charles Chapman, as they cross enemy lines to deliver military information that could save the lives of thousands. I am not usually one to rewatch movies in the theater, and I saw 1917 three times on the big screen.
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